La Parra

Lipp, where I was first taken by my grandfather decades earlier

D’Orsay, on a tribute trip

Photo taken a few hours after the Just Stop Oil activists attacked Diego Velázquez's The Toilet of Venus at the National Gallery, London, November 6, 2023

Dead soldier. Italian anonymous, c. 1630. substituted Velasquez’ Venus after the attack.

$The living room at Mateus, where my grandfather spent endless hours. I like to think of refractions as spirits manifesting in my photographs.$

The living room at Mateus, where my grandfather spent endless hours. I like to think of refractions as spirits manifesting in my photographs.

This living room has been so intrinsically connected to my grandfather’s presence for over 80 years. It’s now both a reminder of his presence and of his absence.

Light studies on Noronha da Costa’s painting.

$The living room at Mateus, where my grandfather spent endless hours. I like to think of refractions as spirits manifesting in my photographs.$

La Parra

Lipp, where I was first taken by my grandfather decades earlier

D’Orsay, on a tribute trip

Photo taken a few hours after the Just Stop Oil activists attacked Diego Velázquez's The Toilet of Venus at the National Gallery, London, November 6, 2023

Dead soldier. Italian anonymous, c. 1630. substituted Velasquez’ Venus after the attack.

The living room at Mateus, where my grandfather spent endless hours. I like to think of refractions as spirits manifesting in my photographs.

This living room has been so intrinsically connected to my grandfather’s presence for over 80 years. It’s now both a reminder of his presence and of his absence.

Light studies on Noronha da Costa’s painting.

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